THE THINGS I DO…

Living in the part of Virginia that seldom, if ever, sees any significant snowfall, I have been asked by several of my regular photo walkers to give some of my tips for shooting in the snow. What follows are some tips for making better snow pictures and dealing with the effects of cold weather on your gear.

If your photo has more than 3/4 of the image taken up by snow, OVERexpose your image by 1 to 2 f/stops. Use the exposure compensation button if you are shooting in the auto or semi-automatic exposure modes or simply open the lens to let more light in if shooting manual. Even with the modern exposure algorithms, most snow shots made following the camera’s meter will result in gray snow. The compensation I suggest will at least get you in the ball park. Thankfully, digital photography has allowed us to see our images immediately after exposure…allowing any changes to be made on the spot. Keep in mind here that you only need to compensate if you have a lot of snow in your photos. If you’re shooting a tight portrait out in the snow, you probably don’t need to compensate for the snow (the meter isn’t seeing it).

Try not to change lenses if the snow is flurrying around you. For some reason, changing lenses when snow is in the air can attract stray flakes onto your camera’s imaging sensor. Shooting in the cold is difficult enough and the last thing you want is a stray flake coming to rest on your sensor! So, if you do have to change a lens, bend over the camera and use your body to shield it as you make the change.

Keep your batteries warm! Cold batteries are less efficient than warm ones and will not last as long as a set that has been warming in a pocket close to the body. Don’t shoot with cold batteries, they’ll drain faster. Warm them first before inserting in your camera. Carry an extra battery pack and keep it warm in a pocket.

Another exposure tip for those using point-and-shoot cameras: if your camera has an auto setting for beach or snow, use it! That setting will do the exposure compensation I mentioned earlier for you. By the way, sand will give your camera the same exposure challenges as snow…both are bright lighting conditions that need similar exposure adjustments.

When finished with your shooting (and this is more important the longer you’ve been outside in the cold), but your cold camera and lenses into a large plastic ziploc bag BEFORE coming in where it’s warm. This will prevent moisture from collecting on the outside of your camera and potentially shorting out the camera’s electronic innards. The plastic bag will get cold and cause condensation on the outside of the bag instead. When the bag is warm, you can remove your camera.

Speaking as one who has fallen in the snow, don’t take more gear than you really need. A camera body and a couple lenses are easier to protect if you slip on an icy patch.

Take plenty of memory cards with you to keep from running out of storage space when things get interesting.

Rely on your histogram view to guide your exposure (if your camera allows you to view it). Remember, your histogram will tend to have less info in the middle and more on the left side and right since your snow shots will contain a lot of highlights (the snow!) and shadows. Look at a histogram of a well-exposed snow scene and us it as a guide for other similar scenes.

So, keep warm and try my tips the next time you have a chance to go play in the snow!

At a recent photo walk, one of the participants pulled me aside and expressed his frustration at not shooting lots of “keeper” images during group photo outings. He was visibly irritated with his performance (or lack of) and it was pretty obvious that he was not enjoying himself. Since the whole point of a photo walk is to enjoy yourself, I gave him some words of advice that kept me from chucking my gear in a bin years ago… take things one step at a time and always remember how far you’ve come, not how far you have to go. You see, digital photography can be both as simple or as complex as you want to make it. Be careful not to try too many things at once, especially when you’re learning the basics.

Someone once told me “there’ll always be greater and lesser people than you out there, the trick is to accept that fact and do your best with the tools at hand.” Applied to digital photography, it means set small goals for yourself at every step in your photo evolution. Goals such as “I’m going to use the manual exposure settings for half the photos I shoot today” or “I’m going to experiment with at least one HDR image” are easy to set and, once achieved, will give you a real sense of accomplishment. Stack one accomplishment onto another, then add another and you’ll soon see how much your skills are improving.

I set small “fun” goals for myself all the time. Last weekend, I hosted a photo walk and, knowing I would be tied up helping folks with their photography and making sure everyone was having a great time,  set only one goal for myself. I wanted to make one good photograph…something I could frame and hang on my wall. No stress, just one photo. After walking through the park for a couple hours, I missed several shots, let other possibilities pass me by for one reason or another. No pressure, I only needed one shot, right? As I was leaning on the railing, taking a break after the walk down to the swamp bridge, the shot I was looking for happened right in front of me. That’s when I shot this photo:

Knowing I had this shot “in the bag,” I relaxed a bit and focused my attentions (pun intended) on helping other photo walkers for the rest of the morning. I didn’t stop looking, mind you (see my previous post on why you don’t want to do that), but my main photographic goal for the day was accomplished. As I look at the framed photo over my Mac, I’ll always be reminded of the fun I had hosting this photo walk, thanks to setting my goals to “minimum” for the day. Remember, if photography stresses you out, you’re doing something wrong!

I’m hosting my first big photo walk of the summer and wanted to go over a short checklist of things to take with you so you can devote all your energy toward making great photos. First, take care of yourself. Wear comfortable shoes, bring along sunscreen, water and a snack in case the munchies strike. Don’t forget the water, it’ll end up the most important thing in your photo walk inventory. Second, assess what sort of photography you’ll be doing and equip yourself appropriately. If you’re shooting wildlife, bring long glass, a monopod and leave the flash equipment at home. If you’re photo walk is geared more toward street shooting, bring an 80-200mm zoom and a wide angle. Leave the long stuff at home. Flowers=macro lenses and landscapes means bring out the wide stuff (and polarizers!)

The key here is to not bring so much gear that you can’t react quickly to photo possibilities. The last thing you want to happen is to become dehydrated and be preoccupied with finding water when you should be occupied with enjoying the photo walk! I’ve hosted many walks and can state with conviction that the better you feel, the better your work will be. So don’t rush out on your next photo walk without scanning this checklist first. Enjoy.

Here’s a short list of things to do now that you’ve got your dream camera:

• Get a set of NiMh batteries…and a spare. Look for the new batteries that are labeled low discharge. This variety will keep a charge longer. On average, they lose only 1-2% of their charge per month. They’re worth the extra bucks.
• Buy a carrying case. Don’t look to break the bank for a case. Your local Wal-Mart or Target carries a variety of cheap cases. Find one that will hold your camera, batteries, cards and, if needed, extra lenses. A case will protect your bag from dust, rain and prying eyes. Shy away from the ones with camera company logos emblazoned on them because they scream “steal me” to thieves.
• Toss the memory card that came with the camera (for point and shoots, it’s usually 32MB or so…totally worthless) and invest in a 4GB card. Memory card prices are at a record low, take advantage of it now.
• Read the manual! I can never say it enough. I know many are poorly written but slog through it a dozen pages at a time till you’ve read it all. It’ll be time well spent.
• Get out there and practice. While practice won’t necessarily make you perfect, it will make you better. Take advantage of the instant feedback digital imaging provides to make a lot of photos and experiment with all the settings on your camera. Find which ones work best for you and get familiar with your “little friend.”  Delete the bad ones after you download them, never in the field. Remember, shoot in haste, delete at leisure.

One final tip. Find a friend with a similar passion for photography. It’s a great way to stay motivated as you learn to use your new camera. It’ll also give you a buddy to attend photo walks with!

I’ve been busy with work and other issues for a month or so. Now’s a great time to have a photo walk and enjoy the outdoors. The walk is set for 3pm Sunday, Oct. 26 in the historic, restored area of Colonial Williamsburg. We’ll gather at 3pm in front of the Barnes and Noble Bookstore on Duke of Gloucester Street in Merchant’s Square. Hope to see you there!